Sunday, March 17, 2019

The Film maker after names of places.




      Film directors hold their unique positions in several aspects of film making.Apart from the choice of their pet themes,suitable story line and course of narration, they reflect their singularity in the choice of titles for their films. Gautham Menon for instance, is enamoured of lengthy titles such as Vinnai Thaandi Varuvaayaa?Pachai Kili Muthu Charam and Acham Enbadhu Madmaiyada.Some of his titles also reveal his fascination for MGR's film songs. Mysskin is known for disturbing titles such as Pisaasu and Savara Kathi. In a similar manner, we have Perarasu who has named all the seven films he he has directed,after names of places.The only film that does not bear the name of a place as its title, is a Malayalam film directed by him{Samrajyam II Son of Alexander}
    Before directing his first successful film Thirupachi,Perarasu has acted in insignificant roles{as a reporter and a doctor} in films like Edhirum Pudhirum and Arasaatchi. His first film with Vijay as hero, became a great commercial hit, because of its highly energizing sequence of events,siblings' sentimental attachment,speed in narration and heart throbbing music, composed by three music directors like, Devi Sri Prasad,Mani Sharma and singer Dhina.The film had a huge cast with abundant scope for villainy exhibited by Aryan {as Paan Parag Ravi},Pasupathi{as Pattaasu Balu} and Kotta Srinivasa Rao{as Saniyan Sagada}.
    By giving distinct names to rowdies, Perarasu took the onus of narrating the story effectively, by loading its weight completely on the shoulders of Vijay, who played the role of an unflinching villager, bent upon eradicating rowdyism fouling the city of Chennai.This he does, not simply for the sake of his sister married to a city guy, but for all men and women, to breathe the fresh air of peace and happiness in the crowded metropolis.The film was a total entertainer and became a dynamic launch pad for the directorial prowess of Perarasu. The fact that Super Good Movies of R.B Chowdhri produced the film,added to its distribution value and success formula besides the victory tag of actor Vijay.
     Perarasu was fortunate to have big production houses to produce his films.Apart from R.B.Chowdhri,it was A.M.Rathnam who produced Perarasu's next film Sivakasi, another Vijay film and later on, Dharmapuri,a Vijayakanth movie.While Thirupathi starring Ajit was an AVM film,his Thiruvannamalai starring Arjun went into the hands of Pushpa Kandasamy of Kavidhalaya Production unit. Perarasu's Pazhani and Thiruthani, both  Bharath films,were produced by Sakthi Chidambaram and Chokkalingam Subburaj respectively.Though all the seven films of Perarasu were watchable in terms of their vibrant action mode, it is only the first two films with Vijay as Hero, that speak high of his directorial efficacy.
   The themes and story background of Perarasu's films are backed by rural happenings as family and social events. mixed of good and evil.If Thirupaachi was a tale of brother sister fine bonding of affection,Sivakasi unfolded the tug off war between an evil elder brother and his redeeming younger brother.The film was a cauldron of challenges between the two revolving around both funny and furious sequences. Pazhani once again focused on sister-brother equations with the younger brother struggling to reform his ruffian brother in law and bring harmony in the married life of his sister.Here too,there were challenges and smart execution of challenges.All the films of Perarasu delve into the world of social and political crimes involving M L As{Thiruvannamalai}medicos{Thiruppathi} and anti social thugs.Thiruthani is the only film where the hero dies in the hands of the police.
    The musical quality of his films belong to the moderate category because excepting the first two films which carried the mesmerizing effect of music, the rest of his films did not leave any memorable mark.While Srikanth Deva composed music for Sivakasi,Pazhani,Dharmapuri and Thiruvannamala,Bharadvaj took up music composition for Thiruppadhi and Perarasu himself took care of the music segment for Thiruthani.Perarasu is not only fond of places as titles of his films  but is also consistently dedicated to his passionate zone of sentimental melodrama and retrieval of family and society from the deeply infected evils of criminality,violence and injustice.
   Most of his films were action bonanzas with Thiruppachi and Sivakasi stealing the show.Just as his films carry the names of places as their titles,the names of the places will some how or other bring to one's memory the films of Perarasu and their level of impact on the minds of film viewers.Incidentally,there came a film bearing his own name Perarsu as its title and this action film starring Captain Vijayakanth,Prakash Raj and Sharat Babu reiterated the power of his name through elements of dynamism and force,making the the title of the film and name of the director after names of places, stay long in the memory of the audience. 
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