Saturday, December 14, 2019

Mamangam Masterstrokes

 




    What makes the fairly big budget Mammootty starring Mamangam singularly different from the most recent Bahubali and Sye Raa Narasimha Reddy,is its genuine and pointed mode of narration cutting down the audio visual magnificence that Rajamouli and Surendar Reddy delivered as pieces of awesome extravaganza. With profoundly committed performers like Mammootty,Unni Mukuntan,Master Achuthan and Siddique,Mamangam strikes the imagination of viewers,as real happenings,with adequate spicy ingredients such as captivating screen shots, scintillating music and fascinating choreography.In a movie of martial arts,women have less role to play{Of course Tamannah was an exception both in Bahubali and Sye Raa Narasimha Reddy}.So women here have nothing to do other than exhibiting their subdued emotions of sorrow and power of endurance.
  Mamangam means a period of twelve years both in Tamil and Malayalam.In Tamil Nadu it is a celebration marking the Hindu Pilgrimmage followed by a holy dip in the Mahamaha Thirtha every twelve years.Even now Kumbakonam in Tamil Nadu remains as the unique temple town on account of the Maamaangam holy dip celebration.Whereas in Kerala it marks a prestigious festival,said to have been celebrated at Tirunavaya of the Malabar region on the banks of the Bharadhapuzha during the 18th century.The significant issue regarding the festival is the usurping of the festival rights by the Samoothri{Zamorin}from Valluvakonathri [known as Valluvanad} and the latter as Chaaverukal {warriors} and suicide squads.venturing to behead the Samoothri as a mark of revenge.The usual happenings are the defeat of the warriors in the hands of the fighting force of the Zamorins and the dead bodies of warriors being thrown in to the wells to make sure that none of the corpses returns home for cremation,after the massacre.
   M. Padmakumar's gripping narration with the glorious title song and the brave introduction of Mammooty as Chandroth Valiya Panicker is a sustaining factor through out the film.The fact that Chandroth Valiya Panicker has not killed the Samoothri even after reaching the latter's height prone seat,but simply flew from there, results in his being smeared as traitor and hated by his own kith and kin.Twenty four years later truth comes to light when two more warriors Chandroth Panicker{Unni Mukuntan} and a twelve year old boy Chandhunni{three cheers to Master Achudan for his mind blowing performance in consistent sobriety and mood fitness for warfare} leave their Chandroth Tharavaadu for a similar confrontation with the Zamorins,letting the family members both proud and frustrated.
    The second half  of the film traces the mysterious death of Zamar Koya{Tarun Arora}a foreign business man considered to be an important associate of the Zamorin.It is Thalachennor{Siddique} the right hand of the Zamorin who brutally investigates the killing of Zamor Koya.The later events reintroduce the Chandroth Valliya Panicker who has turned to a healer and yogi status,desisting from warfare,though its fire is still there with in.The healing episodes bring together the Chandroth trio and clears the stained perceptions of Chandroth Valiya Panicker's bravery and loyalty to his soil.The saluted death of Chandroth Panicker {Unni Mukuntan}and Chandunni {Achuthan}in the hands of Zamorins and the creditable climax of Mammootty transforming into a warlord again,in order to bring back the dead body of Chandunni after a horse pulling of Thalachennor to his deserving death,are the memorable moments of watching Mamangam.
   The film could be reputed for the entire team's unswerving dedication to its thematic content and visual imprints.There is no deviation from the task understood and deliberated. Besides Padmakumar's creative involvement and the actors' natural absorption of roles,Manoj Pillai's cinematography,Raja Mohammad's editing and M. Jeyachandran's music have all pulled the screen back to the days of the events,said to have taken place two centuries ago.The exceptional success of the film is,despite its grand visual exhibits,the film is less cinematic and shows events as really happening before us.It is in this way,the film travels on its well set track taking an exit totally different from  the celluloid glorification of bravery and patriotism,wonderfully watched as big cinema shows in Bahubali and Sye Raa Narasimha Reddi.
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