Saturday, August 12, 2017

A Unique Narration of A Cop and the Gangster Story.

                                             





                                       

                                                       Vikram Vedha poster.jpg

       Tamil Cinema has come upon quite a few captivating cop and gangster stories that have pointedly found an immortal place in the memory gallery of the audience.The recent sparkling addition to this category of films is Vikram Vedha, with no qualms other than that of not buying his life at the cost of his self dignity. starring the smart Madhavan and the ebullient Vijay Sethupathi. This  is another special addition to Tamil Cinema on account of the niceties in narration similar to those of M.Raja's Thani Oruvan. 
     In Thani Oruvan, all the cops of the team were upright and  the gangster{if you want to call him so} was ravishingly charming, with no qualms other than that of not buying his life at the cost of his self dignity. Whereas in Vikram Vedha,an honest cop unknowingly carries on an encounter mission with his untrustworthy team mates, which fact is brought to his mind, only at the fine close of the movie. The narration of the film might create the impression of being on the track of Vetrimaran's Visaranai,where again an honest cop is taken for a dishonest ride by the higher ups of the uniformed service he belongs to. However the gripping tragic climax of Visaranai still stays fixed in our memory, with a single line, suggestive audio in the dark, stating "both are over"which meant both the honest cop and the innocent victim of police atrocity were done to death.
    But what a natural and true- to -life portrayal of the cop that R.Madhavan comes out with.He is certainly a natural actor in the line of Kamalahasan at least to some extent.That the most fascinating chocolate boy of Alai Paayudhe and Run and the warring great guy of Seeman's Thambi does a great job as an amazing cop, takes the film to its deserving heights.From a cowardly cop in Lingusamy's Vettai, Madhavan has drastically moved on in to the role of a cop, in its neatest and most compact form ,with an absolute commitment to the police uniform {of course not wearing the uniform in any of the scenes}.
    For Vijay Sethupathi, who has grown by leaps and bounds as a new wave sterling actor,the role of Vedha appears to be an easy game and his casually impressive performance is no surprise to the audience.The three contexts with three different stories narrated by Vedha to Vikram, with suitable sub headings for the stories,are the most intelligent patterns of narrative technique adopted by the director duo Pushkar-Gayatri and become a telling factor for the refreshing quality of the movie.
  Both Madhavan and Vijay Sethupathi have effectively underplayed their roles and for this too, credit must be given not only to the two actors, but also to the two directors. Shraddha Srinath and Varalakshmi Sarath Kumar have convincingly contributed their might to the success of the film,by taking on very relevant female roles. one as the wife of Vikram and the other as the love interest of Vedha's younger brother Puli .The same should be said about Prem, who plays the role of the cop Sam and Kadhir, who appears as Puli,the younger brother of Vedha.
    There is not much music here, nor is it needed for a film of this kind.The movie is certainly not an entertainer.But it is a perfect sample of purposeful film making and another qualitative inclusion into the archives of Tamil Cinema, that would make an eternal impact on film lovers, without sound and fury. For all this, the director duo deserve a special pat,because they have meaningfully succeeded in creating a new narrative form, to an otherwise usual cop and gangster story.
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