It is not new for singers and music directors to do acting.Tamil Cinema is well known for its singer cum actors like M.S.Subbulakshmi,T.M.Soundarajan,Sirkazhi Govindarajan,Bala Muralikrishna,S.P.Balasubramaniyan and Mano who have played either leading or supporting roles on the big screen.Whereas M.K. Thiagaraja Badhavadhar,P.U Chinnappa,T.R.Maha lingam,S.Varalakshmi,and J.B.Chandrababu were actor cum singers.
Among music composers it was M.S.Viswanathan who did some memorable characters in movies like Kadhal Mannan and Kaadhala Kaadhalaa.These roles did not fail to evoke spontaneous laughter among the audience on account of the humour content.If we take the younger generation music directors, it is G.V.Prakash Kumar and Vijay Antony who have been making serious and responsible attempts to do acting on a larger scale,as heroes of films of which some of them have attracted audience base and gone for creditable reviews.
Of the two,G.V. Prakshkumar resembles a boy next door,bearing little of the hero material on his face.But the fact that he is the nephew of Oscar winning A.R.Reheman,is an indicator of the stream of music running through his veins as a genetic phenomenon.G.V.P has composed music for quite a number of popular films like Vijay's Thalaiva&Theri,Ajith's Kreedom{Akkam Pakkam Yaarumillaa Boologam Vendum is a scintillating melody},Danush's Pollaadhavan {three songs}&Aadukalam{known for the most popular lungi dance song ''oru ponnu pinnaala''},Vikram's Dheiva Thirumagal&Thandavam,Karthik Sivakumar's Aayirathil Oruvan,Saguni & Komban{Who can forget the energizing numbers Kambikarai Vetti and Karuppu Nirathazhaki}and a few other hits like Angadi Theru,Veyil,{Veyilodu Uravaadi is a soothing song}Seval,and Rajini's Kuselan.I am sure my list is not complete.
As an actor,Prakash is small but with full of strength.His debut film Darling,a critically reviewed thriller showed him as a hero of considerable merit.His other two highly cherished films are the children thriller Pencil and Bala's beautiful film Nachiyaar,with Jyothika playing the leading lady and a powerful woman cop.G.V.P's other moderate entries like Trishaa Illaatti Nayanthaaraa,Kadavul Irukkaan Kumaaru,Enakku Innoru Per Irukku,Sarvam Thala Mayam carry immense title value and will be remembered for the very same titles reminding the audience that they are GVP films.His other four notable films are Bruce lee,Watchman, Kuppathu Raja and Semma. Prakashkumar has to go a long way from the music station to the thespian destination.
The other outstanding representative of music and drama is Vijay Antony.Unlike G.V.Prakash Kumar,Vijay Antony is not a prolific music composer for Tamil films.Besides composing music for films starring himself as hero,his great musical shows were for Vijay's Vettaikkaran{all songs of the film were hits;Puli Urmumudhu and Oru Chinna Thhamarai were invigorating and enchanting numbers respectively} &Velayudham{Molachu Moonu Elayavidala was a melodious song in the voice of Vijay Antony himself},Uthamaputhiran of Danush and a few other well known films like Vedi, Rasikkum Seemaane,Naan Avanillai, Sattapadi Kutram,Iruvar Mattum and so on. Interestingly,he has composed music for the Telugu version of the Tamil film Angadi Theru for which G.V.P made the tunes.
Vijay Antony,the actor, has certainly been more promising than GVP on account of the most watchable traits of his films like freshness in handling of themes and the thrust of negative ingredients unfailingly accompanied by a tickling touch of spontaneous humour as we frequently witnessed in his films like India Pakistan,Pichaikaaran and Thimiru Pidichavan. One could witness a variety of themes such as accidental impersonation{Naan},excessive modesty and softness {Salim}conflicting interests in man woman relationship{India Pakistan}, exemplary filial devotion,{Pichaikaran} super naturalism blended with psychic complexities {Most of his films especially Salim and Saithaan}Machiavellian political machinations, {Yaman} a dedicated march towards correcting social evils{Thimiru Pidichavan}and the inherent complexities of murder mysteries{Kolaigaran}
The one vital factor that permeates through the narration of most of Vijay Anotony's films,is an underlying psychological predicament like insomnia,obsession with the past,mental anguish over aberrations and an inexplicable sense of agony of the psyche. Vijay Antony's morose looks,morbid facial mode,exclusive smiles,calm demeanour,sudden uproars,are the factors that aptly appropriate the psychological journey ending up in cathartic destinations,and fine tune the final product,with an adequate mixing of action,sentiment and sly comedy.The horror element shows its head,only when it is basically required.When one goes for an ultimate assessment of a Vijay Antony film,one can be sure of the hidden psyche coming to the forefront to deliver a rare stuff of audio visual melodrama.
To me most of his films look like sweet cakes fresh from the oven,with different flavours,but never losing the trade mark of a set pattern of the psychic interior governing the whole exterior.I would rate his India Pakistan as one of his finest and breeziest films not disturbing the mind of the audience,with any undue negative thrust.All his other films hit the mind and caused a psychological hurt somewhere in their narration.His Pichaikaaran was a special tale commendably told through the inner layers of anguish,satire and surrender to destiny .The other interesting fact is that,barring his Salim and Annadurai,all his other films Naan,India Pakistan, Yaman, Saithan, Pichaikaran, Thimiru Pidichavan,Kolaigaran carry letter N as the concluding part of the film titles besides denoting a negative stench in their wield.
During these days,when even popular and seasoned heroes find it difficult to sustain their grease and crease in performance,Vijay Antony is someone who has the grit to travel far beyond his musical zone,to invent and reinvent himself as an actor.He has shown more than once,that he is capable of depicting the multi negative shades of the human mind,with a predominant blending of positive values.This approach is in fact an indirect revelation of life, ever being an equitable mix up of the good and bad.Between the two music directors mentioned here,one could categorically say that while G.V.Prakash has sustained his musical zest with an endearing quest,Vijay Antony has exhibited more emphatically than his counterpart that,both music and grease can synthesize a louder perception of the creative formula.It is this combined creative formula of music and grease,that can deliver at its best,the thematic content, story value,succinct and substantial narration of scenic events and a befitting role play,justifying the significance of characters. Vijay Antony seems to be a docile spark developing into dynamic flames of cinematic shows.
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